Overview of SER Voice Analysis and the 20 Analysis segments

We use the basic vowel sounds with a “B” and “H” in front of them in order to get a better left/right brain activity. In every language the vowel sounds are simple and easy to say. In most cases the client relaxes and might even laugh at how silly it is to repeat them over and over again. This is what we are after. If we could get genuine laughter to analyze, the client would have a great experience, and we would achieve the best results. Imagine removing the energetic stresses that has taken away their joy. In every case I have deliberately done something to cause my clients to laugh while recording the vowel sounds.

Understanding the process and analysis segments

Analysis segments 1 though 12 are based upon the actual weakness and strengths we determined from the voice sample using Sound Energy Research’s proprietary algorithms. Analysis segments 13 to 19 are octave wave frequency pairs from the Periodic Table of Elements. We used our proprietary frequency information derived from analysis segments 4 through 12 to determine which pair of elements to play.

The first 3 analysis segments are taken from the complete linear voice sample. They are based upon maximum amplitude (power) in the voice. Each of these tones is played for 1 minute at their actual frequency in pure Sine waves (no harmonics). This is the only step that we ask the client to participate in. We want them to repeat back audibly the tone they are hearing. It is important that they have their eyes closed while doing this process.

Most people will say they cannot do this but you must encourage them. The process sets the stage for them to give permission to themselves to accept the change that will come from the Sound Energy process. In every case if you do a simple muscle test on a person and ask them if they would like to get better they will say, “YES” but their body will test “NO”. This simple attempt to replicate the tone they are hearing will produce brainwave coherence and usually you will see “RAPID EYE MOVEMENT” (REM) occurring.

These first 3 tones are played for 1 minute followed by 10 seconds of silence. Most people will find it exhausting to repeat these first 3 tones for 1 minute. We take advantage of a natural phenomenon that occurs when you stimulation for 1 minute followed by 10 seconds of silence. This process encourages the awareness, which is now lively but undirected to seek the greatest source of charm. In other words you will automatically seek out and experience deeper levels of consciousness.

Keep in mind that during our Sound Energy process we use the voice sample to guide the client to deeper levels of their own consciousness. When the mind settles down, the body also settles down, and the release of deeply stored stresses occur. These are deep stresses that are not normally released even during regular sleep.

After the first 3 tones are completed advise the client to just relax, keep their eyes closed and enjoy the inner journey. There is nothing further for them to do. All the following analysis segments will be lowered down and played in the Alpha, Theta, and Delta levels using Saw tooth Waveforms with Sine wave modulation. Saw tooth waveforms are the only waveforms that produce both odd and even harmonics.

Analysis segments 4 through 7 are based upon an energy triangle that is created using the information derived from layering 5 octaves on top of each other. We then break down the individual 12 notes within the octave and determine the strongest consistent amplitude within that note (analysis segment 4) then the strongest consistent amplitude within the low note (analysis segment 5) and finally the strongest consistent amplitude within the lowest note (analysis segment 6).

We play analysis segments 4, 5 and 6 for 2 minutes followed by 10 seconds of silence. Analysis segment 7 is the same as analysis segment 4 but this time it is only played for 1 minute. We have always found a direct relationship within the element kingdom that exists between the weakness and strength when examining the voice sample. After stimulating these systems we close the process by returning to the strongest note, analysis segment 4 again. In every case this dominant strong note when first played was very enjoyable because their energy was focused on it. Now it is not as charming as it was in the beginning simply because we have stimulated the two lowest energy points through the principles of resonance. In other words the dominant energy of analysis segment 4 had a direct influence on suppressing the energy in analysis segments 5 and 6.

The frequency from analysis segment 4 was used to select the element pair played in analysis segment 13. The frequency from analysis segment 5 was used to select the element pair played in analysis segment 14 and the frequency from analysis segment 6 was used to select the element pair played in analysis segment 15.

Analysis segments 8, 9 and 10 are in fact the same frequencies played for 1 minute followed by 10 seconds of silence. These three analysis segments are based upon information gathered from the fundamental first or prime octave that the client normally speaks in. The harmonics that follow in their speech pattern are based upon this fundamental octave. We used this fundamental octave to determine the strongest consistent amplitude within the highest note and the lowest consistent amplitude within the lowest note. We then play these two frequencies together three times using the principles of stimulation and rest to set the stage for the balancing frequency analysis segment 11 to be introduced. Analysis segment 8 was used to determine the high and low element pairs that are played in analysis segments 16 and 17.

Analysis segment 11 is played for 2.5 minutes and represents the balancing or average frequency from segment 8. Analysis segment 11 was used to determine the element pair that was played in analysis segment 18.

Analysis segment 12 is again based upon the complete linear display but this time we used the information to create a weighted average based upon the strongest consistent amplitudes from all the octaves. This frequency is played for 2 minutes followed by 10 seconds of silence. Analysis segment 12 was used to determine the element pair that is played in analysis segment 19.

Final analysis segment 20 is a special healing frequency that soothes body and mind and a great way to end the inner journey.

In conclusion

Analysis segments 1 to 12 deal with frequencies taken directly from the clients voice sample. Their weakness and strengths were used to determine, which pairs of elements needed to be introduced from the Periodic Table of Elements to stimulate and restore balance. To date technology does not exist that allows Anyone to play an actual element frequency. We do however; have a special algorithm that is based upon the resonant frequency of an atom in saline solution at body temperature. This special algorithm has enabled us to stimulate the appropriate systems responsible for the selected elements. Over the years, hair, blood or urine analysis has been spot on with the elements selected from the Sound Energy Research Voice Frequency Analysis.

SER Voice Analysis Software Tutorial

1. After starting your computer, begin by double clicking on the SER Frequency Icon on your computer desktop using the left button on your mouse.

2. After the program opens, left click on the maximize button in the upper right hand corner of the window.

3. Select the File menu and then left click on “New Program Cache”.

4. Next select the Control menu and left click on “Analyze Voice Sample”.

5. A small window will open, read the information then left click on “Next”.

6. Type in the client’s name as prompted. At this point make sure your microphone is turned on and the client is aware that they will be required to repeat the vowel sounds; “Bay, Bee, Bye, Bo, Boo, Hay, Hee Hi, Hoe, Hoo” for 15 sec in order to capture their voice sample. As soon as you left click on “Next” from this screen, the recording will begin so have the client begin repeating the vowel sounds before you left click on “Next”. After you have selected the “Next” button, a new window will open and the count down from 15 seconds will begin, when it is complete instruct your client to stop repeating the vowel sounds. (We use the basic vowel sounds with a “B” and “H” in front of them in order to get a better left/right brain activity. In every language the vowel sounds are simple and easy to say. In most cases the client relaxes and might even laugh at how silly it is to repeat them over and over again. This is what we are after. If we could get genuine laughter to analyze, the client would have a great experience, and we would achieve the best results. Imagine removing the energetic stresses that has taken away their joy. In every case I have deliberately done something to cause my clients to laugh while recording the vowel sounds.)

7. If you need to repeat this process left click on the “Back” button, if you are satisfied with the voice sample left click on “Next”.

8. The program will now automatically begin the voice analysis. When it’s done, left click on the “Next” prompt. At this point you may left click on the “Show Plot” button. After viewing this, select the “Close” button to return to previous window. To continue, left click on “Finish”.

9. The program now automatically starts creating the individuals sound energy wellness program. Each program is uniquely created based on the individual’s voice sample. After the preview data has been prepared, a small window will appear. In order to listen to the newly created program, simply select the “OK” button. At this point the client will sit back and relax while the program plays the necessary frequencies based on the voice sample. The program will play for about 34 minutes. While the client is listening to their frequencies, the contents of the preview program will be displayed for the practitioner to review.

10. After the program has finished playing, the next step is to save the previewed program. On the left side on the screen under the “Programs” heading, highlight the clients name in order to select the program you want to save. Left click on the “File” command in the menu bar at the top of the screen, then left click on the “Save Program As...” option. A window will open, type in a program name as prompted and left click on “Save”.

11. Next you will want to burn a CD of the client’s program for them to take with them. With the client’s program highlighted in the Program section on the left hand side of the screen, left click on the Options button half way down on the left hand side. There you will be able to select your CD-R default burner to use by left clicking on the blue arrow next to the blue box by the CD-R section and selecting your CD burner. To close the Options Box left click on the Programs button next to the Options button in the middle of the left side of the screen. Insert a blank Music CD-R disc into your CD-R drive. If a CD drive instructional window opens, select cancel to close. Next select Control from the menu bar and left click on “Burn Program to Disc”. The data for each segment in the program will be prepared. When it is done preparing the data a small window will open, select OK, continue to follow the prompts and the data will be burned to the disc. Continue to select OK as prompted. The data is prepared and written to the disc. When is it complete, the CD-R drive will open, take out the CD and close the CD drive. Write the client’s name on it and date it, put it in a CD case and give to the client to take home with them. Instruct the client to listen to it twice a day till their next appointment.

12. The final step is to left click on the “File” command in the menu bar and select “exit” by left clicking it. (To do another voice analysis, start back at step 1 and repeat the process. By exiting out of the program after each voice analysis session you are assured that the previous program is cleared out.)
Contributed by Louisa Elliott